“Kalo, like much of the work in Akamine’s oeuvre, connects communities across the paeʻāina, across time, and generations, in aloha ʻāīna and ongoing resistance to American annexation and occupation in our islands.” ->
“For Williams, depicting the nude form, and becoming a subject in her own work, was a means for making herself and others vulnerable, as a way to form connections and find beauty in painful realities.“
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