“A lesser-known creative expression, both artistic and philanthropic in nature, was the establishment of Uluhaimālama, the queen’s charitable garden. I would like readers to reconsider Uluhaimālama as an early example of public art, established in October 1894, and conceived by Queen Lili!uokalani herself. ”
Digital PDF
Digital PDF
Filed under:
ESSAY
ESSAY
ʻAi Pōhaku, Stone Eaters: Native Hawaiian Contemporary Art in Hawaiʻi 1976–2023
Drew Kahuʻāina Broderick, Josh Tengan, and Noelle M.K.Y. Kahanu, eds.
Soft-cover
808 pages
9x12”
Edition of 1500
2024-12
“The 808-page publication, ʻAi Pōhaku, Stone Eaters: Native Hawaiian Contemporary Art in Hawaiʻi, 1976–2023, is a landmark resource documenting the exhibition ʻAi Pōhaku, Stone Eaters (2023) and its broader historical and cultural context. ”
Digital PDF
Physical
Digital PDF
Physical
Filed under:
BOOK, PUBLICATION
BOOK, PUBLICATION
ʻAi Pōhaku, Stone Eaters: Affirmation, Defiance, and Kānaka ʻŌiwi Visual Culture Today
Australia and New Zealand Journal of Art | Vol. 23 Issue 2 (2023) Te Ko Te Moananui-a-Kiwa te wahi whakarahi, The Pacific Ocean Joins Us All. Ngarino Ellis and Heather Igloliorte, eds.
Co-authored with Drew Kahuʻāina Broderick.
2023-12
“Through a detailed discussion of the exhibition at UH Mānoa, the ‘flagship’ campus of the UH System, as well as the stakes of the project as a whole, we consider the critical ways in which Indigenous contemporary art, exhibition-making, and public programming have the potential to move through institutional critique and embrace the needs of communities—those established and those in the making.”
PDF
Filed under:
ARTICLE
ARTICLE
ʻAi Pōhaku, Stone Eaters
The Art Gallery and Commons Gallery at UH-Mānoa; Koa Gallery, Kapiolani CC; Gallery ʻIolani, Windward CC; Hōʻikeākea Gallery Leeward CC, East-West Center Gallery.Co-curated with Drew Kahuʻāina Broderick and Noelle M.K.Y. Kahanu
2023-01–08
“‘Ai Pōhaku, Stone Eaters addresses the exclusion of Kānaka worldviews from academia, specifically within the UH Mānoa Department of Art and Art History, and an overall lack of institutional support for Kānaka art across the Islands.” ->
“Wayfinders, the ones we breathe with, recalls ancient way finding practices utilizing the stars, wind, water and land markers to find paths across the sea and, through the work of artists from coastal neighbours and nations across the Pacific Ocean, considers intertwined histories, practices, migrations and contemporary lives of adjacent homelands. Breathing together across the shared ocean in cultural, environmental and molecular exchange.” Read More
Filed under:
RESIDENCY
RESIDENCY
